These paper boats of mine are meant to dance on the ripples of hours, and not reach any destination... Rabindranath Tagore

So we beat on, boats against the current, borne back ceaselessly into the past...F. Scott Fitzgerald - The Great Gatsby

We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom. We lived in the gaps between the stories.
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On the way to the river are the old dormitories, used for something else now, with their fairy-tale turrets, painted white and gold and blue. When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.
--from Margaret Atwood - The Handmaid's Tale

Reading is the sole means by which we slip, involuntarily, often helplessly, into another's skin, another's voice, another's soul.
- Joyce Carol Oates

Sunday, June 28, 2015

Roger Ascham...




flaming torches
grizzly spikes
a dark dungeon
in an old castle
cannibalised
for university
progress

I love to know the inner workings of things


women
aflame
spiked
cannibalised
for personal
hungry
progress


I love to know the inner workings of things



MY GOODREADS REVIEW
Roger Ascham and the King's Lost GirlRoger Ascham and the King's Lost Girl by Matthew Reilly
My rating: 4 of 5 stars

A flash of nightmare from the wells of the 16th century.
Sulphurous dirt leads Roger Ascham on a trail of murderous intrigue. Strangely, Henry VIII selected his daughter Elizabeth's teacher for this mission. But then, Henry claims that Roger has a logic in his madness and sees beyond the normal. Who would believe how so much tense, tantalising drama could be packed into so few pages.

View all my reviews


MY AMAZON REVIEW
Almost Gothic 
The future Queen Elizabeth and Henry VIII are characters in this narrative, but the spotlight is on professor Roger Ascham. In detective mode, he seeks Isabella, the love interest of the king. In an old castle dungeon area, Roger crosses paths with spikes, hanging cages and a scythe blade - all courtesy of the Earl of Cumberland's bastard son. A dark, fast dive into a seamy side of 16th century court life.

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